Friedrich Zettl occupies a distinct position in the contemporary art scene. As an Austrian artist with an academic background in Sinology and years of study at the Central Academy of Fine Arts in Beijing (CAFA), he bridges two worlds that are often viewed separately: the expressive gesture of Western Modernism and the disciplined void of Asian ink painting.
His work is not a mere imitation of Chinese styles, but rather applied philosophy. Zettl utilizes the principles of Zen and Daoism—spontaneity, reduction, and the flow of energy (Qi)—to create abstract compositions that challenge and expand Western visual habits.
Focal Points of Friedrich Zettl's Work
Zen Brut & Gestural Abstraction: In these works, the raw energy of "Art Brut" meets the meditative concentration of calligraphy. Zettl dispenses with preliminary sketches. Here, the brush acts as a seismograph of the moment—irrevocable and direct. The aim is not to depict reality, but to capture its energetic essence.
New Surrealism: Zettl’s surrealist concepts move away from classical dream imagery toward "inner landscapes." Through the medium of ink, fluid and often melancholic spaces emerge. These works connect the psychological depth of Western painting with the lightness and fluidity of Asian techniques.
Wabi-Sabi Aesthetics: A central element of Zettl’s practice is the acceptance of the imperfect. Many of his works, executed on handmade or antique paper, celebrate the happy accident, rough textures, and the aesthetics of transience.
Curator's Note: Friedrich Zettl’s works are held in international collections and museums. His art is directed at collectors who look beyond the decorative—seeking works that demand silence and offer intellectual depth.
Each piece is available as an original or as a high-quality fine art print, reviewed and curated by the artist's studio.